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  • Visual Diary
    • PUBLISHED Nov 2023
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    Azza El Siddique’s worlds between worlds, Art Basel stories (feature)
    PUBLISHED Oct 2023
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    How ART X Lagos Galvanizes Nigeria’s Art Scene, Artsy Art Market (feature)
    PUBLISHED Oct 2023
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    Adekunle Gold — The Afrobeats star takes us around his colorful city of Lagos, WePresent (feature)
    PUBLISHED Oct 2023
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    Isaac Chong Wai interviewed by Dr Jareh Das, Akeroyd Collection (interview)
    PUBLISHED Oct 2023
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    Soical Fabric: Nike Davies-Okundaye, World of Interiors (feature)
    PUBLISHED Oct 2023
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    Things Arrive Together as Suffused and Inseparable: Donald Rodney, Mousse # 85—Fall 2023, Jareh Das, Carolyn Lazard and Robert Leckie (in-conversation)
    PUBLISHED Sep 2023
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    Caleb Kwarteng Prah, Dazed Autumn 2023 ‘Beyond Borders’ issue (interview)
    PUBLISHED Sep 2023
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    Ulysses Jenkins by Jareh Das, Bomb Magazine 165, fall issue (interview)
    PUBLISHED Aug 2023
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    Black Clay: Black Women, Ceramics and Contemporary Art, The Journal of Modern Craft, 16:1 (statement of practice)
    PUBLISHED Jun 2023
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    How I became an artist: Alberta Whittle, Art Basel stories (interview)
    PUBLISHED Jun 2023
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    Theaster Gates: Black Chapel, Serpentine Pavilion 2022 (exhibition catalogue essay)
    PUBLISHED Jun 2023
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    PUBLIC PRIVATE – Pond Society, Shanghai (2023)
    PUBLISHED Jun 2023
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    Simon Skinner — Reimagining the Afro comb, WePresent (feature)
    PUBLISHED May 2023
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    Dear Earth: Art and Hope in a Time of Crisis, Hayward Gallery (exhibition catalogue texts)
    PUBLISHED May 2023
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    Ladi Kwali and her cross-cultural pottery, Journal du Thé (feature)
    PUBLISHED Apr 2023
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    Adelaide Cioni: On Patterns (exhibition catalogue essay)
    PUBLISHED Mar 2023
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    Nifemi Marcus-Bello, Disegno (interview)
    PUBLISHED Mar 2023
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    Sonia Boyce: ‘The Afterlife of Projects Remains a Question’, Ocula Magazine (interview)
    PUBLISHED Feb 2023
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    Africa and its diaspora at Art Basel Hong Kong, Art Basel Stories (feature)
    PUBLISHED Feb 2023
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    Ruling the Weaves: Aissa Dione, World of Interiors (feature)
    PUBLISHED Feb 2023
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    Under the Hammer Abuja! Ladi Kwali & The Art of Clay, Bonham’s stories (feature)
    PUBLISHED Jan 2023
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    Sara Naim: Reality Beyond Rose-Tinted Lenses, Ocula Magazine (interview)
    PUBLISHED Jan 2023
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    On Tunji Adeniyi-Jones’s Cascading Violet II, 2022, The FLAG Art Foundation (essay)
    PUBLISHED Dec 2022
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    On Extractivism, Ndidi Dike: Discomfort Zones (essay)
    PUBLISHED Nov 2022
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    Zizipho Poswa’s new ceramics and photography explore hair as a medium for sculpture, Wallpaper* (feature)
    PUBLISHED Nov 2022
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    Interventions and Placemaking in Kumasi: Interview with crazinisT artisT, X-TRA, Volume 24, Number 2 (interview)
    PUBLISHED Nov 2022
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    The Politics of Memory and Belonging in Sasha Huber’s Action Portraits, Autograph ABP (essay)
    PUBLISHED Nov 2022
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    Strange Clay: Ceramics in Contemporary Art, Hayward Gallery (exhibition catalogue texts)
    PUBLISHED Oct 2022
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    Making history, not sculpture: artist Barbara Chase-Riboud on her seven-decade career, The Art Newspaper (interview)
    PUBLISHED Oct 2022
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    Frieze Masters London: Nike Davies-Okundaye – kó gallery, Lagos, 2022 (curated booth)
    PUBLISHED Oct 2022
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    Deptford X 2022 festival commissions (curated projects)
    PUBLISHED Oct 2022
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    Textiles from a personal and social perspective in the work of Nike Davies-Okundaye (essay)
    PUBLISHED Sep 2022
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    How potter Ladi Kwali’s legacy travelled the globe, Crafts Council Stories (feature)
    PUBLISHED Aug 2022
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    Nifemi Marcus-Bello, Apartmento Magazine (interview)
    PUBLISHED Jul 2022
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    MATERIAL EVOLUTIONS: A Thing of Beauty, Apartamento Magazine and Maximillian William (essay)
    PUBLISHED Jul 2022
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    The hand-painted pirogues of Senegalese fishermen, World of Interiors (feature)
    PUBLISHED Jun 2022
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    Body Vessel Clay: Black Women, Ceramics and Contemporary Art – York Art Gallery, 2022 (curated exhibition)
    PUBLISHED Jun 2022
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    Dak’Art Shines a Light on Contemporary Art in Senegal, Frieze (opinion)
    PUBLISHED Jun 2022
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    Material Qualities of Sound: Jeremy Toussaint-Baptiste, Bomb Magazine (interview)
    PUBLISHED May 2022
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    Tunji Adeniyi-Jones, White Cube and Charleston Trust (interview)
    PUBLISHED May 2022
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    Performative Clay, Mater (essay)
    PUBLISHED May 2022
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    Guadalupe Maravilla Connects Healing Practices from East to West, Ocula Magazine (interview)
    PUBLISHED Apr 2022
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    The politics of clay: Black women, ceramics and contemporary, ART UK (feature)
    PUBLISHED Apr 2022
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    Ghanaian pavilion: returning country’s presentation to spill out across Venice, The Art Newspaper (feature)
    PUBLISHED Mar 2022

    Pélagie Gbaguidi: The Body as Archive, Ocula Magazine (interview)
    PUBLISHED Feb 2022
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    Shaping the nation: Clara Etso Ugbodaga-Ngu, Bonhams Magazine, Spring 2022 | Issue 70 (feature)
    PUBLISHED Jan 2022
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    Body Vessel Clay: Black Women, Ceramics and Contemporary Art – Two Temple Place, 2022 (curated exhibition)
    PUBLISHED Jan 2022
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    A Politics of Clay Hybrid Practices, Body Vessel Clay, Black Women, Ceramics and Contemporary Art exhibition catalogue (essay)
    PUBLISHED Jan 2022
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    Shawanda Corbett: To the fields of Lilac (exhibition text)
    PUBLISHED Dec 2021
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    The Artsy Vanguard 2021: Wallen Mapondera (feature)
    PUBLISHED Nov 2021
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    Tiwani Contemporary’s New Lagos Space Celebrates 10 Years of Championing Art of the African Diaspora, Artsy (interview)
    PUBLISHED Nov 2021
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    Agatha’s Fashion: A Confluence of Pre and Post-Independence Nigerian Styles, Fashion and Race database (interview)
    PUBLISHED Nov 2021
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    How Clay is Connected to our Bodies, Frieze Magazine, Issue 223 (interview)
    PUBLISHED Oct 2021
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    Emerging designers explore identity and ‘the new world’ at Carpenters Workshop Gallery, Wallpaper* (feature)
    PUBLISHED Sep 2021
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    Phoebe Collings-James: Metaphors for a malleable potential (essay)
    PUBLISHED Sep 2021
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    One in the Other – Camden Art Centre (2021)
    PUBLISHED Jul 2021
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    Doreen Garner: On White Monumentality and Sacrificial Aesthetics, X-TRA, Volume 23, Number 2 (feature)
    PUBLISHED Jul 2021
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    How I Made This: Theresah Ankomah’s Repurposed Produce Baskets, ARTNews (interview)
    PUBLISHED Jun 2021
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    Designing dining: How kitchen objects become imbued with culinary culture, It’s Nice That (feature)
    PUBLISHED Jun 2021
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    Samson Bakare: Why the artist paints Black people in positions of power, WePresent (feature)
    PUBLISHED Apr 2021
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    Making and Destroying Myths: Precious Okoyomon, Bomb Magazine (interview)
    PUBLISHED Apr 2021
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    Senzeni Marasela: ‘My work is rooted in Johannesburg’, Ocula Magazine (interview)
    PUBLISHED Mar 2021
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    Nigerian-American artist Dozie Kanu on disrupting the norm, Wallpaper* March 2021 issue, (interview)
    PUBLISHED Feb 2021
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    Ibiye Camp on her hybrid practice materializing data and mapping public space, PIN-UP Magazine (interview)
    PUBLISHED Feb 2021
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    South South is a new platform for art from the Global South, Wallpaper* (feature)
    PUBLISHED Feb 2021
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    Cinga Samson: A different conversation on representation, Ocula Magazine (interview)
    PUBLISHED Dec 2020
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    NIC Kay: radical self-fashioning, movement, and site-responsive performance, X-TRA, Volume 23, Number 1 (interview)
    PUBLISHED Dec 2020
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    Studio Visit: Sonya Dyer, Delfina Foundation Platform (feature)
    PUBLISHED Nov 2020

    Tschabalala Self: ‘We must abandon the lies and mistruths we have been told’, Ocula Magazine (interview)
    PUBLISHED Nov 2020
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    7 West African Institutions Animating the Region’s Contemporary Art Scene, Artsy (feature)
    PUBLISHED Oct 2020
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    Kenneth Ize: On Reflection, Crafts Magazine (interview)
    PUBLISHED Oct 2020
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    Sackitey Tesa: Things are not meant to be thrown away, WePresent (feature)
    PUBLISHED Oct 2020
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    Chitra Ganesh on Utopia, Futurity, and Dissent, Ocula Magazine (interview)
    PUBLISHED Sep 2020
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    GaHee Park: Building Fluid Worlds, Ocula Magazine (interview)
    PUBLISHED Aug 2020
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    Deana Lawson’s intimate and resplendent visions of Black life, Wallpaper* (feature)
    PUBLISHED Aug 2020
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    Lauren Halsey: Centring Community, Ocula Magazine (interview)
    PUBLISHED Jul 2020
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    New Readings, New Meanings: Frida Orupabo, Bomb Magazine (interview)
    PUBLISHED Apr 2020

    Billie Zangewa: Soldier of Love, Ocula Magazine (interview)
    PUBLISHED Apr 2020
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    The Culture Trip (features)
    PUBLISHED Mar 2020
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    Joy Matashi: On Black Hair As Architectural Medium, PIN-UP Magazine (interview)
    PUBLISHED Dec 2019
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    Multiple Representations: Florine Démosthène, Bomb Magazine (interview)
    PUBLISHED Nov 2019
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    Illness as Metaphor: Donald Rodney’s X-ray Photographs, Nka Journal of Contemporary African Art (essay)
    PUBLISHED Sep 2019
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    Chale Wote: From local festival to boundary-pushing global platform, CNN Style (review)
    PUBLISHED Aug 2019
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    Labor and Nature: Deborah Anzinger, Bomb Magazine (interview)
    PUBLISHED Aug 2019
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    Patty Chang: From Xinjiang to the Atlantic Ocean, Ocula Magazine (interview)
    PUBLISHED Jul 2019
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    Lagos Art Studio : Karl Ohiri’s conservational Impulse, The Art Momentum (feature)
    PUBLISHED Jul 2019
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    Who is stealing the Lagos coast? Domus 1033 (op-ed co-authored with Mathias Agbo Jnr)
    PUBLISHED Jun 2019
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    Kenneth Ize, Sleek (feature)
    PUBLISHED May 2019
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    The Colorful Nostalgia of Yinka Ilori’s Designs, Cultured Magazine (interview)
    PUBLISHED May 2019
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    Zheng Bo: How to Live on Planet Earth, Ocula Magazine (interview)
    PUBLISHED May 2019
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    Ghana makes a star-studded debut at the Venice Biennale, CNN Style (review)
    PUBLISHED Apr 2019
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    How Ghanaian artists are reimagining the country’s past and future at the Venice Biennale, Sleek (feature)
    PUBLISHED Feb 2019
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    Devan Shimoyama: Cry Baby review, Burlington Magazine (review)
    PUBLISHED Nov 2018
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    The Multifaceted Narrative of Illness – Visual AIDS, 2018 (curated online exhibition)
    PUBLISHED Sep 2018
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    Ocula Magazine archive of interviews and reviews
    PUBLISHED Aug 2018
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    Here’s Martin! The zombie as metaphor in Taste of Flesh/ Bite Me I’m Yours, Survival of the Sickest, the art of Martin O’Brien (essay)
    PUBLISHED Apr 2018
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    Dissident Gardens – Het Nieuwe Instituut, Metropolis M (review)
    PUBLISHED Jan 2018
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    Marres Currents #5: I Spy, I Spy a little lie, Metropolis M (review)
    PUBLISHED Nov 2017
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    Performance Matters Performa 17’s opening week, Metropolis M (review)
    PUBLISHED Nov 2017
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    Who is María Zambrano? Metropolis M (feature)
    PUBLISHED Apr 2016
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    Lagos by Lagosians, Mojeh Magazine (feature)
    PUBLISHED Apr 2016
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    An Art Collective Takes Over a Portuguese Palace and Retells Its History, Hyperallergic (review)
    PUBLISHED Oct 2015
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    On Curating Pain: The Sick Body in Martin O’Brien’s Taste of Flesh/Bite Me I’m Yours, Leonardo Journal (essay)
    PUBLISHED Jun 2014
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    Marrakech Biennale 5, Harper’s Bazaar Art Arabia (review)
    PUBLISHED Apr 2014
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    Nezaket Ekici: Kiss the Pain Away, Harper’s Bazaar Art Arabia (interview)
    PUBLISHED Jan 2014
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    Bomb Magazine archive of interviews, reviews and Theory + Practice (essay)
    PUBLISHED Oct 2013
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    Laugh Out Loud Group Dynamics and the Catharsis of Tala Madani, Harper’s Bazaar Art Arabia (review)
    PUBLISHED Jun 2013
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    Indelible Marks: Africa’s Traces on Dubai, The State vol. iv (essay)
    PUBLISHED Apr 2013
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    Science or Fiction: Imaginary Narratives in the Works of Laylah Ali, Hamad Butt, Basim Magdy and Larissa Sansour, Contemporary Practices (essay)
    PUBLISHED Mar 2013
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    African Art in Focus, Mojeh Magazine (feature)
    PUBLISHED May 2011
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    The Wider Narratives of the Middle East: Rabih Mroué, The People Are Demanding, Aesthetica Magazine (review)
    PUBLISHED Sep 2009
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    Portfolio of select curated projects, research and writing (2009 onwards)
    PUBLISHED Jun 2008
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    Artistes Only blog